영어로 읽는 고전 _ 부스 타킹턴의 펜로드
부스 타킹턴의 "펜로드"는 19세기 후반에 쓰인 소설입니다. 이 이야기는 청소년기의 문턱에 있는 소년 펜로드 스코필드의 모험과 실수를 중심으로 펼쳐지며, 그가 어린 시절의 시련, 가족의 기대, 그리고 그를 둘러싼 성인 세계를 헤쳐나가려는 시도에서 발생하는 종종 희극적인 곤경과 씨름하는 모습을 그립니다. "펜로드"의 도입부는 악명 높은 아이 랜슬롯 경을 연기해야 하는 공연에 대해 원망하며 울타리에 앉아 있는 펜로드를 소개합니다. 처음부터, 펜로드는 복잡한 감정적 풍경을 지니고 있음이 분명합니다—그는 상상력이 풍부하고 민감하며, 이는 그가 갈망하는 자유를 즐기는 그의 개 듀크를 부러워하는 것에서 알 수 있습니다. 우리는 펜로드가 로라 루부시 부인의 "원탁의 페이전트"를 경멸하는 모습을 볼 수 있으며, 이러한 감정은 모든 리허설마다 고조되고 그가 기대의 부담에서 벗어나고 싶어하는 욕구를 드러냅니다. 이 첫 장은 펜로드의 성격—순수함, 유머, 고집, 그리고 창의성의 조합—을 탐구하기 위한 기초를 마련하며, 독자들에게 펜로드의 기발한 도전과 청소년기 딜레마의 세계로 빠져들 수 있는 초대장 역할을 합니다.
Classics Read in English _ Penrod by Booth Tarkington
"Penrod" by Booth Tarkington is a timeless portrait of American boyhood that captures the essence of growing up in the early 20th century Midwest. The novel follows the exploits of twelve-year-old Penrod Schofield, a mischievous yet endearing protagonist navigating the awkward transition between childhood freedom and the increasing expectations of the adult world.
The story opens with a scene that immediately establishes Penrod's character and conflict: perched resentfully on a fence, he contemplates his impending humiliation as "the Child Sir Lancelot" in Mrs. Lora Rewbush's community pageant. His profound disdain for this role reveals both his budding sense of masculine dignity and his resistance to the social constraints being placed upon him. Watching his dog Duke roam freely, Penrod experiences a pang of envy that crystallizes his central dilemma—the tension between conformity and independence.
Tarkington masterfully employs light comedy to explore deeper themes of identity formation and social expectation. Penrod's mounting horror at having to wear "tights" before his schoolmates and neighborhood friends becomes a perfect vehicle for examining the social anxieties that accompany adolescence. His determination to escape this fate drives the narrative forward while revealing his resourcefulness and stubborn individualism.
The opening chapter establishes the novel's distinctive blend of humor and psychological insight. Penrod emerges as neither a perfect child nor a simple troublemaker, but rather a complex individual with contradictory impulses—capable of both sensitivity and callousness, creativity and destruction, brilliance and stunning lapses in judgment. His internal world is rich with imagination and feeling, even as his external actions often result in chaos.
Through Penrod's eyes, Tarkington invites readers to reconsider the seemingly trivial experiences of childhood as significant moments in human development. The theatrical pageant that Penrod so dreads becomes a microcosm for the larger social dramas of conformity and rebellion that shape us all. With warmth, wit, and remarkable psychological acuity, the novel begins its exploration of how children navigate the often absurd expectations of the adult world while forging their own identities in the process.
Among the contents
Penrod sat morosely upon the back fence and gazed with envy at Duke, his wistful dog.
A bitter soul dominated the various curved and angular surfaces known by a careless world as the face of Penrod Schofield. Except in solitude, that face was almost always cryptic and emotionless; for Penrod had come into his twelfth year wearing an expression carefully trained to be inscrutable. Since the world was sure to misunderstand everything, mere defensive instinct prompted him to give it as little as possible to lay hold upon. Nothing is more impenetrable than the face of a boy who has learned this, and Penrod's was habitually as fathomless as the depth of his hatred this morning for the literary activities of Mrs. Lora Rewbush—an almost universally respected fellow citizen, a lady of charitable and poetic inclinations, and one of his own mother's most intimate friends.
Mrs. Lora Rewbush had written something which she called “The Children's Pageant of the Table Round,” and it was to be performed in public that very afternoon at the Women's Arts and Guild Hall for the benefit of the Coloured Infants' Betterment Society.
서평(Book Review)
부스 타킹턴의 "펜로드"는 20세기 초 미국 중서부를 배경으로 한 소년기의 생생한 초상화이다. 열두 살 소년 펜로드 스코필드의 내면 세계와 일상적 모험을 통해, 타킹턴은 어린 시절과 성인 세계 사이의 불편한 과도기를 따뜻한 유머와 심리적 통찰력으로 포착한다. 공동체 페이전트에서 '아이 랜슬롯 경'으로 출연해야 하는 곤경에서부터 시작되는 이 이야기는, 사회적 기대와 개인의 정체성 형성 사이의 긴장감을 탐구하며, 표면적으로는 사소해 보이는 어린 시절의 경험이 어떻게 인간 발달의 중요한 순간이 되는지를 섬세하게 그려낸다.
Booth Tarkington's "Penrod" is a vibrant portrait of boyhood set in the early 20th century American Midwest. Through twelve-year-old Penrod Schofield's inner world and everyday adventures, Tarkington captures the awkward transition between childhood and adulthood with warm humor and psychological insight. Beginning with the protagonist's predicament of performing as 'Child Sir Lancelot' in a community pageant, the story explores the tension between social expectations and individual identity formation, delicately illustrating how seemingly trivial childhood experiences become significant moments in human development.
부스 타킹턴(1869-1946)은 미국의 소설가이자 극작가로, 20세기 초 미국 문학계에서 가장 인기 있고 성공한 작가 중 한 명이었습니다. 그는 두 번이나 퓰리처상을 수상했는데, 1919년 '위대한 앰버슨가(The Magnificent Ambersons)'와 1922년 '앨리스 애덤스(Alice Adams)'로 각각 수상했습니다. 인디애나 주 인디애나폴리스 출신인 타킹턴은 중서부 중산층 마을의 생활과 미국 사회의 변화를 작품에 담아냈습니다. 그의 소설 '펜로드(Penrod)' 시리즈는 어린 소년의 모험을 그린 작품으로 널리 사랑받았으며, '세븐틴(Seventeen)'은 청소년기의 사랑과 성장통을 다룬 작품입니다. 타킹턴의 작품은 주로 빠르게 변화하는 산업화 시대의 미국 사회, 특히 중서부 소도시의 모습과 가치 변화를 섬세하게 포착했습니다. 그는 생전에 미국에서 마크 트웨인의 뒤를 잇는 국민 작가로 여겨졌으나, 오늘날에는 그의 명성이 다소 줄어들었음에도 불구하고 미국 문학사에서 중요한 위치를 차지하고 있습니다.
Booth Tarkington (1869-1946) was an American novelist and playwright who was one of the most popular and successful authors of the early 20th century. He was a two-time winner of the Pulitzer Prize for Fiction, receiving the award for "The Magnificent Ambersons" in 1919 and for "Alice Adams" in 1922. Born in Indianapolis, Indiana, Tarkington captured the life of middle-class Midwestern towns and the changing American society in his works. His "Penrod" series, which chronicled the adventures of a young boy, was widely beloved, and "Seventeen" dealt with teenage love and growing pains. Tarkington's works primarily focused on capturing the nuances of American society during the rapidly industrializing era, particularly the changing landscape and values of small Midwestern towns. During his lifetime, he was considered a national literary figure second only to Mark Twain in America, and although his reputation has somewhat diminished today, he remains an important figure in American literary history.